Fifty years after the watershed events of 1968, the exhibition Picturing Protest examines the visual framing of collective action between 1960 and 1970 around the country and on Princeton’s campus.

Featuring forty-one works from four major print series, the exhibition is the first to focus on the vital role that literature played in the artist’s groundbreaking explorations of the print medium.

This spring a selection of works from the Museum’s collections investigates the ways in which experiences of belonging and alienation have been both a subject and an effect of photography. Photographers have long sought to depict human relationships and social...

It is commonly understood that when you compare very alike things, you notice their differences. When comparing unlike things, it can take a little longer to notice their similarities—but eventually I became aware that, notwithstanding the radicalism of Cézanne’s approach,...